Image credit: Andy Ryan
Image credit: Andy Ryan
Image credit: Andy Ryan
Speculative Friction uses storytelling to explore the line between fact and fiction, implicating the construction of reality in the construction of speculative futures. This project is interested in the Geneva Freeport (Switzerland) as its central character. This Special Economic Zone legally operates outside of global trade taxation laws as a free-market tool to expedite the import and export of commercial goods. While there are hundreds of modern freeports around the world, the Geneva Freeport is unique in allowing “passing” objects to be stored indefinitely in its storage spaces. As a result of this state of stasis, as well as Swiss confidentiality laws, the Freeport has been the storage facility for anything considered to be of value. Grains, gold bars, art objects, and illegally extracted antiquities are all stored in the Freeport without public access and without taxation, even as ownership is exchanged. It is estimated that there are as many as 1.2 million objects in storage.
Through film, drawing, model, and story, this thesis opens the conversation to the banal and absurd capitalist reality at the Geneva Freeport and looks at this uncanny world from within. What are the objects and their entanglements with the world outside? What happens when the objects begin to push back on their container?
Collaborator: Alice Jia Li Song
